“See you next Monday and yes I’m very much looking forward to it!!”
West Midlands based Guitar Tutor
“See you next Monday and yes I’m very much looking forward to it!!”
Thanks to Fender for asking me to teach guitar for them.
I taught children and adults guitar skills including classical, rock, punk, and lead guitar.
At the start of my learning, my apprenticeship, today, my coordination was inexplicably erratic. I couldn’t work at the required pace without some obvious incompetence. Yet, never the judge, Gav reminds me that this is MY learning time and
that through challenge will arise achievement (I paraphrased what he really meant to
say!). I remind myself too that time is space; right now, time isn’t holding the reins. I am!
However, as self confidence re-emerged and competence returned, experience, learning
and enthusiasm slowly began to increase. Acquired sound sequences and patterns rose
to the surface again, like a wave-breaking Nautilus; timing and rhythms we’re
beginning to conjoin, all elements coalescing, with both purpose and tension, towards the tonal stairway to the final climactic C sharp! My feet left the ground!!
Meta-euphorically(C), they have yet to land…!
Bass Journal Part 4
Bass Journal Part 3
Bass Journal Part 2
Bass Journal Part 1
A nondescript overcast morning in the dull old West Midlands....was completely transformed by a new interpretation of "To be over" by Yes (Relayer 1974) on the bass guitar. Whilst, in part, elevated once more by the Roger Dean artwork on the CD cover (with a scene of ancient Oriental riders trekking through the harsh, wind-eroded landscape), I was challenged by Gavin to work through the more demanding C and A scales first so that I would recapitulate on existing skills which Steve Howe, the songs principal composer, would have used when constructing the overriding theme. Gavin doesn't just give it away: through worked understanding and practice, the reasoning comes to the fore, prior to the metamorphosis and the release. The metamorphosis comes in the form of seeing and hearing the shape of the theme trying to emerge from the aforementioned scales from the guitar and the fledgling guitarist; certain recognisable notes which, in time, pitch and volume, are just beginning, like planetary fragments, to coalesce into gradually recognisable melodic repeats and refrains. The release occurs when the apprentice finally traces over the notes with accurate timing and pronunciation (given the guidance and motivation from the composer, the band recording and imparted experience of the craftsman), finally enabling the enunciation of the theme in unison with the recording and the mentor...and he, the novice, gasps in momentary gleeful achievement. From the stone egg, lying dormant on the grey earth of the Relayer cover, has emerged the performance, replete with the kaleidoscope of atmospheres, gleaned on the first hearings some 42 years ago, now re expressed in person and a once forgotten song rises again on the warm wings of remembering.
For part 2 click here
Two different notes on the fretboard.
Ciao maestro, Set list: Cast Adrift - Steve Hackett (postponed); Starless - King Crimson; To be over - Yes; Prairie Angel - Steve Hackett; Owner of a lonely heart - Yes; The Fish - Yes/the late great Chris Squire. Guest list: Andy, Chris, Holly and the animal chorus. Jo & Shirley had gone out to the Indigo fusion restaurant. Wine list: Enville Ale, Fruit Shoots. ~ The journal begins. My fingertips, on both hands, are so sore after two hours of almost incessant practice, rehearsal and "performance". The tunings needed repeated amendments, largely to Chris's six string leads. Even though we were essentially performing to camera (Holly was doing her own viola stuff and Facebooking in the front room, not in the "studio"), I ended up learning, leading and accompanying Chris on "To be over". Chris is NOT a teacher. He likes to play anything at random and rehearse his own stuff too. Yours truly has to bring him into line, position him to face the potential audience at home and get him to stop riffing wildly so that I can follow, accompany or, at least, get the timing right. When dealing with a tetchy yet accomplished younger sibling (of only 53 & a half), from the position of a far less proficient performer, the gloves could have been off. However the MUSIC was always the maestro! Despite this being a performance, Chris and I complimented one another during the "To be over" piece so that I was actually learning it then playing it "for the record". His tablet memory is now full but I hope that both producer brother Chris and engineer Holly (12 & a quarter) can transfer all the takes to their PC then AirDrop them to me by email. If so, I'll send them over to you after some pretty necessary editing. Actually, I'm quite happy with the first results before any editing. My confidence got quite a boost, lastly, from the improvisation section from "The Fish (Schindleria praematurus)" by Yes [Fragile 1971] on which the lead loop of the six-string guitar lays the foundation for the bass to improvise in E. Thanks to my mentor and teacher's unfaltering patience and motivation, I took confidence from my learning so as to then incorporate the minor notes I'd practiced into my ramshackle attempts e.g. E minor, B flat minor etc, in order to add variation and colour to the piece (probably outshone by the ceiling light reflecting off my Gianni Infantino/Telly Savalas/Yul Brynner coiffure)!! One final aspect of the event/experiment was the refreshing reconnection which Chris and I felt about performing, in future (on or off camera), the wealth of material that we still mutually appreciate from our adolescent years...and well beyond! As an experiment, we now know that we need more than thirty minutes rehearsal time! As a performance musically, it was pretty heartwarming. We'll arrange another "gig" before they all head off to Mexico for the Easter holidays. Caramba! Have a top night, maestro! For part 1 click here
AS approached me for bass lessons and has recently tried the electric guitar. Recently he has passed his grade and felt ready to share his playing.
I have intended to learn the bass guitar since I was a teenager but never
had the patience nor self-discipline to begin in any realistic sense. In
July 2014 I walked into an independent retail outlet and bought an amp,
lead and a crimson & black bass guitar, making a commitment to myself to
then finding a guitar teacher.
Encouraging a beginner to developing the waking bass line technique.
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Teaching electric guitar techniques to a beginner today who asked to learn about Harmonics and their functions.